The Philadelphia Orchestra

Joshua Bell Returns!

SaturdayAugust 148:00 PM

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The Philadelphia Orchestra returns to its summer home in Saratoga Springs this summer, marking the Orchestra’s first live performance at SPAC since the pandemic hit last year.

Program

Yannick Nézet-Séguin, conductor
Joshua Bell, violin

Price                      Adoration*
Beethoven             Violin Concerto in D major
Mozart                   Symphony No. 25*

Approximately 90 minutes long with no intermission.

Program Notes

Joshua Bell returns to SPAC to perform the illustrious Beethoven Violin Concerto. A new arrangement for solo violin and string orchestra of Florence Price’s lovely Adoration receives its world premiere, while Mozart’s Symphony No. 25 – a work written when the composer was just 17 and never before performed at SPAC– closes The Philadelphia Orchestra’s residency in Saratoga.

*indicates SPAC Premiere
All programs subject to change.

Ticketing

SPAC Members will have early ticket access depending on membership level, beginning on June 1 for amphitheater seats. Amphitheater tickets for the public will be available to purchase on June 7. Lawn tickets will be available to purchase at a later date, to be announced. Designated pods of two will be allocated and reserved for ticket buyers in the amphitheater. Amphitheater tickets start at $80 per pod, which seats up to two people. Single tickets will be extremely limited and available starting at $40 for the amphitheater. Advance ticket purchases are strongly advised as ticket availability will be limited. If available, tickets will be on sale on the day of, but are subject to an additional fee.

Safety Guidelines

The performances will be offered in compliance with the current guidelines from the Governor to ensure the health and safety of artists, audience members and staff. In order to provide guests with the safest possible experience, all attendees will be seated in safe, socially distanced pods. For complete COVID-19 safety guidelines, click here.

Joshua Bell
Photo by Phillip Knott

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